play loud! helps to save local San Francisco radio station KUSF

Rated: NR    Runtime: 138 mins.
 
SAVE KUSF!
 
Monday, April 9
In a secret three-way deal the University of San Francisco (USF) entered into a contract to sell KUSF 90.3 FM a year ago last January. Tonight is a benefit for SAVE KUSF, a group that is imploring the FCC to block the sale, the closure of which has been encouragingly held up for over one year. So as Brad's mom strongly encourages: come rock like a f*** in’ maniac! Tonight’s entertainment includes:

Monks - The Transatlantic Feedback
The monks were 5 American GI’s in cold war Germany who billed themselves as the anti-Beatles; they were heavy on feedback, nihilism and electrical banjo. Dietmar Post’s genre-blending doc illustrates the pop music phenomenon in its political, social and cultural historic contexts, while also revealing the monks project as the first marriage between art and popular music, months before Andy Warhol showed up with the Velvet Underground. Dir: Dietmar Post and Lucia Palacios 2006, 100 min, USA /Germany/Spain.

Cloven Hoofed
A simple, disturbing and great short film by Monks director, Dietmar Post, Based on the play by Michael O'Donnell. 1998, 16mm, 12 min, USA /Germany/Spain.

Crime + Punishment
An abbreviated history of politics and dissent from the Eisenhower Reagan eras by Stephen Parr / Oddball Film + Video. 18 mins.

Admission. $10.00. Additional donations accepted & encouraged. Festivities commence at 7:30pm!
 
Go to the Roxie Theater schedule

Comments

Post a Comment

Popular posts from this blog

Image
  Christian Cloos (commissioning editor for ZDF) writes: I really liked the film. Donna as a phone ghost, out of necessity, worked well, almost like it was an intentional way of raising questions of identity. Her death must have been a horror for you. The film offers great archive material and good interviewees (the sister was fantastic, as were all the others). It is very carefully researched, tightly narrated, intelligent and neatly edited – it’s a joy. It’s a continually surprising journey, both in its content and form, through the seventies and eighties. The use of the photos is brilliant. They become like exhibits about pop history, and when you introduce other material, we accept the poor technical quality as texture. It’s great how respectful you were, for example in how you introduced all the musicians involved in the single cover. It would be great if this were the start of an ongoing collaboration between you and Arte on more films about music and culture and you could make a
Read more

Johanna Vollmeyer sobre La causa contra Franco

Image
Johanna Vollmeyer über den Film Franco vor Gericht / Johanna Vollmeyer sobre el filme La causa contra Franco Jesús Izquierdo Martín, historiador en la Universidad Autónoma de Madrid (Deutsch) Ich hatte das Glück, kürzlich den Dokumentarfilm "La causa contra Franco" während einer Veranstaltung an der Universidad Autónoma de Madrid (4.10.2019) zu sehen und war sehr beeindruckt. Viele Filme zu Franco - darunter auch preisgekrönte - zielen meiner Meinung nach zu sehr auf das Emotionale ab und darauf, ihren Film zu "verkaufen". Ganz anders in Lucía Palacios und Dietmar Posts Dokumentarfilm. Statt über die Personen zu sprechen, die im Film erscheinen, entsteht ein klarer Dialog mit ihnen. Damit wird es auch dem Zuschauer möglich, sich mit den verschiedenen Protagonisten und deren Haltung intensiv auseinanderzusetzen und das von einer sehr individuellen und persönlichen Warte aus. Palacios und Post ist es gelungen, ihr Material so zu drehen und arr
Read more

La fama es voraz. Un documental sobre Donna Summer.

Image
  “Tagespiegel” (diario alemán): La fama es voraz. Engulle a sus víctimas en cuerpo y alma. El documental "Donna Summer - Hot Stuff" comienza con escenas de un programa de entrevistas de los años 80. El presentador quiere saber qué piensa la cantante de los estereotipos que circulan sobre ella. ¿Diva de la música disco? ¿Reina del sexo? Ella se limita a sonreír con un ligero sarcasmo. Donna Summer saltó a la fama a mediados de los años setenta con sus éxitos "Love To Love You Baby" y "I Feel Love", en los que, acompañada del sonido futurista de los sintetizadores Moog del productor Giorgio Moroder, cantaba versos jadeantes y gemidos lujuriosos. La etiqueta “reina sexy del disco” le acompañó hasta su muerte. Un crítico de la revista Time contó 22 orgasmos en "Love To Love You". En la portada del álbum Donna aparecía vistiendo un minúsculo camisón. "Me sentía como un producto", confiesa Summer a los autores de la película. "Como una
Read more